![]() He composed new rags, brought out compositions that had never been published, and made recordings. Many were surprised to find that not only was he still living but that he was white. With the revival of interest in ragtime in the 1950s, Lamb shared his memories of Joplin and other early ragtime figures with music historians. Lamb stopped publishing his music, playing and composing only as a hobby. Henrietta died of influenza in 1920 about the same time that popular music interest shifted from ragtime to jazz. Fred Helf Music Publishing Company and later, starting in April 1914, as an accountant for L. In 1911, Lamb married Henrietta Schultz and moved to Brooklyn, New York. Problems playing this file? See media help. He surpassed ragtime's usual four-measure phrase structure. He emphasized the harmonic sonority of the diminished seventh with upper-neighbor appoggiatura. Lamb used sequence for development purposes. ![]() "Contentment Rag" (1915) and "Patricia Rag" (1916) have characteristics of both "heavy" and "light" rags. This style of rags includes "Champagne Rag" (1910), "Cleopatra Rag" (1915), "Reindeer: Ragtime Two Step" (1915), and "Bohemia Rag" (1919). The "light" rags with the cakewalk tradition show the narrow-range melodies inspired by Joplin. This style includes "Ethiopia Rag" (1909), "Excelsior Rag" (1909), "American Beauty Rag" (1913), "Nightingale Rag" (1915), and "The Top Liner Rag" (1916). The "heavy" rags are incorporated with Joplin's melody–dominated style and Scott's expansive use of the keyboard registers. Lamb's twelve rags published by Stark from 1908 to 1919 can be divided into two groups. Stark published Lamb's music for the next decade, starting with "Sensation". Joplin was impressed with Lamb's compositions and recommended him to ragtime publisher John Stark. He met Joplin in 1907 while purchasing the latest Joplin and Scott sheet music in the offices of John Stark & Son. Jerome's College in 1904 to work for a dry goods company. The youngest of four children, he taught himself to play the piano and admired the early ragtime publications of Scott Joplin. ![]() Life and career "Sensation", Joseph Lamb's first rag was published under John Stark's label. By the time he added some polish to his later works in the 1950s, Lamb had mastered the classic rag genre in a way that almost no other composer was able to approach at that time, and continued to play it passably as well, as evidenced by at least two separate recordings done in his home, as well as a few recorded interviews. His use of long phrases was influenced by classical works he had learned from his sister and others while growing up, but his sense of structure was potentially derived from his study of Joplin's piano rags. The ragtime of Joseph Lamb ranges from standard popular fare to complex and highly engaging. Lamb, of Irish descent, was the only non- African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. Joseph Francis Lamb (Decem– September 3, 1960) was an American composer of ragtime music. JSTOR ( January 2016) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "Joseph Lamb" composer – news Please help improve this article by adding citations to reliable sources. ![]() This article needs additional citations for verification. ![]()
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